11/16/2023 0 Comments Guitar harmony![]() ![]() This song has some chords with notes not being part of the key scale. Let us now look at some applications of these rules. ![]() While the generator uses the above rules most of the time, there exist lead melodies between chords that call for a harmonization according to the standard harmonized scale above because the latter provides the perfect transitions between the 1 and the 4 chord, and between the 5 and the 1 chord, and vice versa. In the example below, the current chord is 1minor hence, its cluster comprises all four notes between 5 and 1'. if the current chord is a minor chord, your standard choice is the flattened 7th note of the scale of the current chord, 2 halfsteps below its key note.In the example below, the current chord is 1major. if the current chord is a major chord, your standard choice is the 6th note of the scale of the current chord, 3 halfsteps below its key note.If the tenor or (high) baritone note you have 'landed' upon is a cluster:.Of course, if the lead note is the key note of the current chord, the 'note' to skip is the cluster, and you will 'land' on the 5th note of the scale. In view of the above restriction to 3-tone chords, the 'safer' method to find the baritone note is by starting on the lead note, but this time going down the scale of the current chord, skipping a scale note (or the cluster).For 3-tone chords (that is, chords without extensions) the baritone is the high baritone transposed by one octave down.from the tenor note, skip a scale note (or the cluster) to get the high baritone note.from the lead note, going up the scale of the current chord, skip a scale note (or the cluster) to get the tenor note.Cluster the three (if major) or four (if minor) halfsteps just below the key note of the current chord and count the cluster as one note.What does it take for the Harmony Generator to run? The bass voice produced merely consists of key notes of the current chord, for the time being without any passing notes. Currently, there are no rules defined by which the generator could create a 2-part harmony on account of the degree of freedom the second voice has in this setting. The generator is set up to turn a single melody into tight 3-part harmony. This is a screenshot of the 'Harmony generator' menu. Of course, with harmony voices, there is no single correct way of arranging. Some corrections may always be necessary. Even with the restriction to two added voices (plus bass) it does not produce 100% flawless results in all instances. The harmony generator which automatically creates one or more tight harmony voices to voice 1 (expected to be lead) can be considered a work in progress. The audio files on this page sound quite a bit harsh compared with the rendition in the Editor/Player. This page not only shows how to use the 'Harmony generator' tool on the Editor/Player's Edit menu it also explains a simple way of creating harmony voices to a given melody. For accessing items on this page without scrolling, click on the header above to see the menu. ![]()
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